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Photography Tips | Finding Your Style | Part 2

4/1/2017

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This image is from my very first paid photoshoot all the way back in 2013. It is still one of my favorites and is a prime example of the style I've developed. This image wasn't planned or posed -- it was taken spur of the moment -- and captures the vibrancy and boldness that has come to define my work.

Two weeks I wrote about the crazy detour I took when I let insecurities take hold and convinced myself I needed to find a better or different style. ​This week, I thought it would be helpful to actually talk about style, what goes into it and healthy ways any artist, photographer or creative can develop a style unique to them.

First, some knowledge I wish I could have bestowed on my younger self: ​

There is no right or wrong way to develop a style.

It may be cliche, but there's so much truth to the saying art is in the eye of the beholder. At the end of the day, the style you develop needs to be something you feel proud of, can stand by and can apply consistently across your body of work.

How I developed my own style. 

I'd practice photography for 10 years prior to starting a business, but my business started on a whim. It wasn't planned and therefore, I didn't have time to really sit down and put thought behind a specific style. My style is completely based in functionality.  

For me, that means taking a minimalist approach with the equipment I use. I'm trained as a journalist and rely on those skills during any session, making mobility key. I strive to capture candid moments, and don't use tripods or other bulky tools that can weigh me down.

When it comes to post processing, which is what I focused on in my last blog post on this topic, I stick to functions that I view as enhancing -- not altering -- my images. Primarily, that means increasing exposure (but not too much), and darkening dark areas (again, not too much). I want my photos to be vibrant while having balanced contrast.

Deciding what works for you. 

Everything I've read and everything I've internalized talked about finding a unique style -- a style no one else has. The problem with that, at least for me, is the insane pressure it puts on the artist. I kept telling myself my style wasn't unique enough and that led me on a  quest to fix something that wasn't broken.

Art shouldn't have to be that hard or stressful. Instead, I'm rephrasing the statement: Make art that looks like you. We're all unique individuals who have unique experiences and see the world through one pair of eyes -- our own. By definition, that means the art each of us creates is unique. The challenge then, is not about creating something extraordinarily different, but creating an extension of ourselves.

More than anything, I've come to realize that style isn't as much about the end product as it is about the process that gets you there. There's also no magic formula that can lead any artist to their style -- it is something that is developed over time through free flowing trial and error.

If you're a photographer, artist or creative struggling to develop a style that suits you, I encourage you to look at the whole picture. Start by identifying the tools you have to work with, identify which tools you LIKE working with, and then decide which tools will bring you to your end goal -- whatever that may be. Experiment with what you have at your disposal until you find something you feel comfortable with, and that feels right for you. You can build from there. Finally -- and most importantly -- trust your gut and follow your heart. They will not lead you wrong.
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Photography tips | How I rocked a cold weather photo session

2/1/2017

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A few weeks ago, on one of the coldest days of the year, I organized a photo session with two photographers and two clients out in the snow. It was a two-for through and through -- fellow photographer Gerry Suchy took headshots of me and shortly after, I did a couples session with clients Bob and Linda.

Normally, family, couples and headshots are taken in the spring, summer and fall months when temperatures are more comfortable, but this session was for a time-sensitive project and I couldn't wait for warmer weather. This session was also unique because it was the first time I've been the one being photographed and the one taking photos. In both cases, the key to success was preparation.

​Here's how I rocked a photo session in 10-degree weather:
1. Strategic location + photo planning
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I knew I wanted to do something outdoors, but I also know how dangerous the cold can be. After careful thought and planning, I moved forward with an outdoor location that is very near to where I live and is also a place I'm familiar with. This was key for two important reasons: safety and comfort.

By doing a cold-weather session just minutes from my home, I knew we'd have a safe, warm indoor location to retreat to if we needed it. While safety is most important, when it comes to photography, comfort is also a priority. No photosession can be successful if clients aren't comfortable. In this case, that meant limiting our time in below-freezing temperatures, which in turn meant I wouldn't have time to study the location beforehand. Choosing a location I was already familiar with allowed me to plan out shots ahead of time, which expedited the process and kept our time in dangerous temperatures to a minimum. 
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I know it looks like we're out in the middle of no where, but I promise, this is close to a warm, indoor location! Photo credit: Gerry Suchy

2. Client + wardrobe prep
The best winter photos featuring families and couples are done without heavy winter coats. For clients who aren't used to cold-weather photography, that's a major ask. To help prepare Linda and Bob, I let them know ahead of time that I'd be asking them to remove their coats, and encouraged them to dress in layers. I had warm blankets at the ready, so they weren't completely exposed to the elements without some kind of protection.

For my own photos, I picked out two outfits ahead of time, in part so I could nail down what I wanted to wear and so I knew what to expect in terms of warmth. Both outfits included a sweater and leather jacket, but to help trap heat, I wore underarmor beneath both sweaters.

3. Warm up break
Between my own headshots and client photos, I was out in the cold for an hour and a half, and a lot of that time was without a heavy winter coat. Half way through my headshot session, and again between headshots and couples photos, I took a warm up break in my vehicle, and encouraged Gerry to do the same. 

4. Fingerless gloves
Fingerless gloves are one of my favorite photography accessories. I wear them anytime there's a chill in the air. I got mine when Cliff and I were traveling in Iceland, and because they're made with sheep's wool, they're extra warm. 
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Here you can get a pretty good view of my gloves. They're kinda ugly, but they're sooo warm!
Photo credit: Gerry Suchy


5. Extra batteries + ziploc bag
Digital camera batteries lose their charge faster in cold weather than in moderate temperatures. I figured we wouldn't be out for an extended amount of time, but just in case, I charged all of my batteries ahead of time and packed extra in case I needed them. In addition, when DSLR and mirrorless cameras go from extreme cold to warm temperatures, condensation can build up inside of them. To help avoid that, Gerry brought along clear, plastic ziploc bags that we both placed our gear in when we were ready to come inside. The idea is that the camera will warm to the temperature inside the bag first, slowing down the warming process and helping to avoid condensation buildup. 

6. Extra supplies + a warm vehicle
In addition to dressing in layers and asking my clients to dress in layers, I packed extra hats, gloves, blankets and scarves just in case we needed them. I also kept my car close and, for a time, left the heater on in case we needed an immediate retreat from the cold.
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Photography Tips | Finding the Right Shade of Green

9/20/2016

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About a year and a half ago I switched to Lightroom for my primary photo editing software and I must say, it changed my life. I'm able to edit photos in a more consistent manner and at a faster rate. That said, I'm still learning how best to use the program, and I wanted to share a favorite tip here on my blog.

Anyone who takes photos for a living or is an avid hobbyist knows how tricky greens can be. They often appear overly bright, which can be incredibly distracting. Just look at the photo below. This is one of my favorites from the Fermanis-Martinez Family shoot, but the foliage is almost neon!
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By making a few simple adjustments in the develop module of Lightroom, I'm able to turn neon pea green grossness into a much more appealing soft, minty green delight.
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Step 1.

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My first step in this process is to change the camera calibration. This essentially changes how Lightroom interpenetrates color of your image. In this case, I increased the green primary hue by 30.

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Steps 2 and 3.

My next step is to use the color sliders to change the hue and luminance (think tint versus shade) of the colors affected. Because the greens in the original image actually contain more yellow, I adjust the yellow slider so that yellows appear greener. I then made the green slightly darker by adjusting the luminance slider.
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I hope this tutorial was helpful. The most important thing to remember in all of this is photography, like all art, is in the eye of the beholder. There's no set value I or anyone else has to use when making color-based adjustments in the develop module of Lightroom. It's all according to personal preference and style.

If any photographers in the area need additional help with Lightroom, I highly encourage you to seek out Gerry Suchy. He's an Adobe Creative Suite genius and is more than happy to help get your editing skills where you want them to be!
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Even Pro Photographers Take Cellphone Photos | DCX World Tour MMXVI

6/21/2016

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Earlier I told you how my good friend Larysa and I were on our way to the Dixie Chicks World Tour MMXVI. Well, it happened... and it was AWESOME. Part of what made the trip so special is the fact that I don't attend many concerts. They're fun, but they can also be pricey. That said, I'm okay with splurging once in awhile and this concert was worth every penny. It was super high energy, but it didn't come without emotional moments, like when the trio played a heartfelt tribute to Prince.

We saw the Dixie Chicks at the BB&T Pavilion in Camden, NJ. The venue was pretty awesome--it was both indoor and outdoor, and had a great selection of good food and drinks. (Remember that whole splurging thing? A mixed drink cost $15. EEEEK!!) Larysa and I sat about 12 rows from the stage and sang at the top of our lungs for the entire two hour performance. It was great!

I purposely didn't take my good camera because I wanted this to truly be a vacation. Instead, I relied on the camera on my cell phone which isn't that great. But you know what? That doesn't bother me. I had fun and made some memories, and that's what matters most!

Be sure to scroll all the way to the bottom of this post for cell phone photography tips!
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Jonna's Tips for Cell Phone Photography
  1. Turn off the flash. I know it sounds counterintuitive, but trust me. The flash on a cell phone (or even point and shoot) isn't powerful enough to fill a space like a stadium or concert hall. You'll be much better off going without the flash and relying on natural light.
  2. Wipe off the lens. Lenses on cell phone cameras can get fogged up or smudged easily. This will make your photos look dull and could affect the focus. Make sure your lens is clear by wiping it off with your finger or the tip of your shirt before you take photos.
  3. Use the zoom function sparingly. Zooming in once or twice is okay, but once you get beyond that, the quality of the image is usually compromised. To avoid pixelated images, keep the zoom to a minimum.
  4. Follow the rule of thirds.
  5. Have a plan. Whether you're a seasoned pro or just starting out, this advice is universal. A picture might be worth a thousand words, but it doesn't have much value unless you can see it. Make sure you have a plan for how you want to display your photos. 
  6. Have fun! This is probably the most important rule. If you're pursuing a hobby or past time and you aren't enjoying it, you're not doing it right.
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Behind the Scenes | Lightroom (Part 1)

8/19/2015

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This is the first in a three-part series about my experience with Adobe Lightroom.
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It's been six months since I started using Adobe Lightroom full-time for editing my photos and I can't believe the difference it has made! The program has allowed me to streamline workflow (which means less time at the computer!) while producing a higher-quality, more consistent product for my clients. It's a win-win for everyone. There are some days when I'm not sure how I ever lived without it!

As much as I love the program now, learning how to use it didn't come without some nudging. Even before I thought about starting a photography business, I knew a lot of industry photographers -- okay, let's face it, almost all industry photographers -- use Lightroom for post processing. My initial reaction to this was good for them. I'm not one to blindly jump on the bandwagon, so it took some serious convincing for me to really understand why Lightroom is such a valuable tool. Here's why I love it:

Better workflow 
Before using Lightroom, I used Photoshop to process all of my images. Because Photoshop doesn't have the database functions Lightroom has, this meant going through photos one by one and jotting down the individual file name on any photo I felt was worth keeping on a piece of paper. Then I had to open each individual file in Photoshop and make my adjustments. Depending upon the number of photos and my availability, editing a single shoot in Photoshop took me between one and two weeks. Lightroom offers a number of functions that completely streamline this process, making it much less cumbersome. The difference is like night and day!

Consistency
In addition to its time-saving features, Lightroom allows me to be consistent from one photo to the next when editing for exposure, color, tone, and saturation. These things can be done in Photoshop, but Lightroom makes the process incredibly easy.

Pre and post-processing organization
One of Lightroom's best features is its ability to organize photos. A lot of photographers swoon about it's pre-processing organizational capabilities, but my favorite is the kind of organization Lightroom allows you to do post-processing. In one fell swoop, I can resize, name, tag, and save all images from a single shoot!
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Photography Tips | Shooting in Indoor Light

7/8/2015

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About a month ago my good friend Christy emailed me with an interesting proposal. She needed some help learning how to shoot in low-quality, indoor light. In exchange for the teaching time, she explained I could get help with a project I'm working on by participating in the Silver Spring Time Bank. 

Christy's email was the umph I've been needing. I'd heard of the Silver Spring Time Bank -- it's part of the new economy movement -- but just kept dragging my feet on registering. Now that I'm signed up, I'm really looking forward to helping out others and meeting new people with a wide array of skills and talents in my community!

Because shooting in indoor and low-lighting is the bane of existence for any photographer, I thought I'd share some of the tips I shared with Christy. 

I should note that these tips work best for photographers using DSLRs and no additional equipment. This is how I shoot and these are best practices I use myself.

Look for natural light
Before you even start pushing the shutter, it's important to look at the space you're working in and identify natural light sources, including doors and windows. If you have to, don't be afraid to open a door or move furniture to get access to good light. You'll want to shoot as close to a natural light source as possible. This also means you'll want to photograph your subject during daylight hours. Working between 11 a.m. and 2 p.m. is best.

Turn off that flash!
I know it sounds counter-productive, but unless you have a detachable flash that can be manipulated with diffusers and other equipment, the light produced by your flash is going to be harsh. That means dark shadows and bright whites. The best way to achieve consistent lighting is to work with what's already there.

Learn to shoot in manual
Manual mode gives you the most control over your camera and its settings. Not familiar with this mode? It's time to pull out the user's guide that came with your camera. I know, I know. It looks like a lot of reading in tiny-a** font, but I promise it's helpful.

Increase the ISO
Think of ISO as film speed. The higher it is, the less light you need. Just be aware that there's a give and take with this function. The higher the ISO, the more noise or grain you'll see in your images. 

Focus on Your Posture and Breathing
One of the best ways to achieve non-burry images when working in low or poor quality light is to use a tripod. If you don't have one of these (I don't even own one!) you can stabilize your camera by lowering your center of gravity, bringing your elbows into your torso and bre
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Tips | Photographing Cherry Blossoms

4/6/2015

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Every year, Cliff and I make it a point to venture down to the tidal basin to check out D.C.’s beloved cherry blossoms. I am always pleasantly surprised by how happy they make me. There’s just something magical about walking through a powder-puff pink forest, smack dab in the middle of a city! 

This year, to celebrate this uniquely D.C. tradition, I thought I’d share some photography tips for capturing these fleeting works of nature. These tips are ideal for any photographer at any level, using any kind of camera.
1. Follow basic photography principals.
Following the basic rules of photography can make your cherry blossom photos--or any photos--really stand out. When photographing cherry blossoms, make sure to:
  • Follow the rule of thirds;
  • Include diagonal lines in the frame;
  • Look for contrasting colors and interesting textures.
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Read More
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Celebrate | jhPhotography Featured PhotoTips HQ

9/5/2014

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Oh my goodness! I'm so excited! Josh Schmidt invited me to be on his podcast, Photography Tips Headquarters. 

We recorded the show a few weeks ago. Josh did an excellent job of editing the interivew. You can find the interview here. In the interview, you'll hear my story/history about how I got into photography, where I find inspiration and my love for connecting with my community via twitter. 

Be sure to follow @JonnaPhoto. Those interested in photography can follow Josh @PhotoTipHQ.
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Jonna's Tips for Photographers | Part 3

6/28/2014

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This is the third part in a series featuring tips for beginner photographers.

A number of people have asked me about the kind of equipment I use and how much it costs, so I thought I'd share thoughts on the things I like and -- most importantly -- the pieces that got me started.


9. You don’t need fancy equipment

Between camera bodies, lenses, bags, and accessories, photography can be an expensive hobby—but it doesn't have to be. Below are tips for beginners that won’t break the bank.

  • Starter Kits: Just starting out? You probably don’t need the fanciest, most expensive camera on the market. DSLR starter kits offer decent-quality cameras that let you get a feel for shooting the way professionals do without breaking the bank. My first SLR was the Canon Rebel XTi and I loved it. You can often find these kits (they usually come with a camera body, 1 or 2 lenses, bag, and battery) for less than $800. Most pros use Canon or Nikon, but you can save a bit more by choosing an off brand, like Sony or Pentax.
  • Nifty Fifty Considered by amateurs and professionals alike as one of the best lenses to own, the 50mm fixed lens is a great purchase—especially because it’s cheap! A new lens from Canon or Nikon will run about $115. Buy an off brand or used lens, and you’re looking at $80 or $90.
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50 mm f/1.8 [Photo courtesy B&H photo]
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Nikon D3200 starter kit [Photo courtesy B&H photo]
  • Used or Refurbished: If you’re in the market for a camera body or accessories (straps, bags, tripods), look at all options—including used or refurbished products. I own a refurbished Canon 60D and haven’t had a single problem with it. Buying slightly used or refurbished goods is a great way to purchase high-quality pieces without paying full price. (If you’re looking at camera bodies, be sure you’re buying from a reputable dealer like B&H or Adorama. It isn’t recommended that you purchase refurbished lenses. If you’re buying a used lens, make sure you are able to see and test the lens before putting money down).
  • Holiday deals: If you can hold off making your purchase until the holidays, you’re as good as gold. A number of retailers offer steep discounts on select items during the holiday shopping season and around the new year. In addition to these holidays, don’t forget to check back-to-school, Columbus and Labor Day specials. 
  • Rent before you buy: If you’re considering making a large purchase, try renting the piece of equipment before you buy it. Get a feel for how it works, what it can do, and decide if its worth owning.


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Jonna's Tips for Photographer's | Part 2

3/25/2014

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Late last year I wrote about tips I shared with photography students. The post was pretty popular, so I thought I'd share a few more pointers I've learned along the way.

5. Use diagonal lines

Look for ways to incorporate diagonal lines into your work. Using diagonal, or leading lines, draws the viewer in and creates points of visual interest. Diagonal lines can also be used to create depth, movement, strength, and balance.

6. Practice makes perfect
Mastering any art is a process. It takes time and practice to learn the right skill and find your specific style. Photography is no different. It’s important to get in as much practice as you can.

A trick I’ve found tremendously helpful is to simply go on a walk--and bring your camera along. Take photos of anything that interests you and try using multiple settings on one subject. If you can find a partner or buddy who’s also interested in photography, even better. Use each walk as a learning tool; discuss which angles, settings, light sources you used and why.
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These are all examples of photos taken on photo walks. I haven't shared them publicly until now.
7. Be inspired by others
It’s easy to compare your photos, style, and technique to more experienced photographers and come away feeling intimidated or sub-par.

Instead of comparing yourself to others, draw inspiration from photographers you admire. Study their photos for composition, lighting, color, and style. Read their blogs. Ask yourself why you like their photos and try to apply those same techniques to your own work.

Below are some photographer's blogs I read regularly.
Katie Nesbitt
Katie photographed a coworker's wedding and since seeing the photos, I've been hooked. What sets Katie's blog apart from the rest is the fact that she blogs about more than just her work. She lets readers into her life by telling stories, posting about her favorite things, and her relationship with her husband. Of course, I'm partial to the stories about her cat, Lucy.

KandE Productions
Eric and Karen are a husband and wife team that Cliff and I have known for years. They live in Aimes, Iowa and their work is heartfelt and beautiful. In addition to family and senior portraits, this duo also specializes in wedding videography.

Natalie Norton
I came across Natalie's blog after doing some research about maternity photos. She has written a number of articles offering her own tips and tricks, and she does so with a friendly flair and down-to-earth sense of humor. She keeps things simple. Her blog focuses on her photos and the interactions she has with the people she photographs. She also recently delved into philosophy by starting a series on happiness. She asks what is happiness, what is joy, and reflects upon ways to bring these feelings into one's life.
8. Have fun
Regardless of whether you're a seasoned pro or just starting out, it's important to have fun when you're behind the camera. Take pictures and make art for yourself, not anyone else. When you focus on what you love, the rest -- including success -- will follow.
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    Hey there! I'm Jonna! I'm a family photographer serving Silver Spring, Maryland and beyond. During the Covid-19 crisis, I'm using my free time to document the lives of friends and neighbors as we live through a pandemic. Learn more.

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Jonna Huseman | The Sligo Creek Photographer | jonna.michelle@gmail.com
Family photographer | Silver Spring, MD

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